Category Archives: tips for writing body language

Body Language of the Head and Face

by
Charlotte Firbank-King

Last week, we discussed the body language of deception. This week, we will discuss the body language of the face and head, and next week, we will discuss the body language of hands, arms, feet, and posture. As we mentioned last week, the use of body language will greatly strengthen your reader’s understanding of your characters.

Body Language of the Face

The Mouth—Oh, Those Smiles

Smiling is one of the most complex of all movements. Over eighty facial muscles are involved in smiling, and there are many different types of smiles. Let’s take a look . . . .

A lopsided smile can mean a person is teasing or mocking. If  the skin at the middle, outside corner of the eyes have no crinkles, the smile is probably fake. Authentic smiles peak or change rapidly from a small facial movement to a broad open expression.

A slow smile can be flirtatious, indicating an attempt to seduce, especially if combined with sultry eyes.

If the corners of the mouth go up ever so slightly, it could mean the person is mocking or even challenging.

A tentative half-smile usually means nervousness, uncertainty or insecurity.

Other Emotions Shown with the Mouth:

Sometimes pursed lips—which usually signify disapproval—can twist to the side when people are thinking. However, this can be an intentional movement to hide an emotion or to deceive. Pursed lips that twist and pull to one side can show self-depreciation.

Of course, if the corners of the mouth go down, forming a frown, the mouth’s owner is likely unhappy, especially if her lips are full and plump, forming a pout. However, if the lips are taut, the owner is more likely angry.

If lips are pressed tightly together, the person is likely defiant, angry or disapproving.

Biting the lip or sucking the bottom lip between one’s teeth usually shows uncertainty or embarrassment, but if the lips quirk up slightly at the corners, it could show suppressed humor.If you are passionate about studying dental course then you can also view this page will tell you about the dental assistant School tuition as they offer the course at low price.

If one side of the mouth goes up and the other side down, the person is probably scowling, although, if the eyes look happy, it could mean they are teasing.

If a person presses his tongue against his mouth, he probably is not interested.You can also view more to read about the importance of oral health.

Body Language of the Eyes:

Looking sideways often means the person is distrustful or unconvinced.

When a person closes his eyes longer than the time it takes to blink, it usually indicates that he is reining in his temper, is stressed, is alarmed, or feels despair. Simply closing the eyes can also be a way to “close” someone or something out, such as bad news.

If someone looks down at the floor a lot, he is probably shy or timid. If he keeps his eyes down, he could be showing submission. People also tend to look down when upset or when trying to hide something that affects them emotionally. When they are thinking and feeling unpleasant emotions (including guilt), they will often stare at the ground.

In Western culture, looking someone in the eyes usually means trustworthiness and openness. However, in some cultures, this same action is a sign of disrespect or is done only with family and close friends.

Eyes that are focused in the distance can mean the person is in deep thought—or that he’s just not listening.

Other Emotions Displayed with the Face:

If the jaw is jutted forward, the person is showing defiance, belligerence, or anger.

If a muscle twitches in the cheek or jaw, the teeth are probably clenched, which, of course, means suppressed anger.

Body Language of the Head

A dropped head can mean many things, depending upon other signs available. For example, if the eyes are narrowed, it could mean suspicion or suppressed anger. But if the eyes skitter around or if the lashes slowly lower, it could mean submission, coyness, or dishonesty.

Likewise, having a raised head can mean many things. If the head is raised and the eyes are angry and the mouth set, it could mean the person is defiant or offended. If the mouth also twitches, it could be an indication of inner distress. If the eyes are hooded and the mouth pressed firm, it could mean fearless anger. If they eyes flash, it could show defiance. If the eyes are normally rounded, the person could be amused or simply not feeling any strong emotion.

If the head is tilted to one side, it could mean the person is listening attentively, is curious, or is interested in the conversation or whatever is happening.

If the head is pulled back while tilted, it can show disbelief or suspicion.

Nodding, of course, means “yes,” and shaking the head means “no.” When these actions contradict the words being spoken, others should notice, as this signifies something isn’t right. The person is either lying or trying to deceive on some level, or is uncertain or uncomfortable.

Conclusion

I hope you learned something from this article. Next week we will discuss the body language of the hands and feet.

Here’s a challenge: go through your manuscript and replace every dialogue tag with an action or body language. Doing just this one thing will make your writing much more engaging. Try it.

The Body Language of Deception

by
Charlotte Firbank-King

Body language is must-have knowledge in a writer’s arsenal of writing tools. It’s important to understand that people communicate through body language, whether intentionally or not. Studies have shown how important body language and tone are when people speak face-to-face. Therefore, if you expect dialogue—your character’s words—alone to communicate his emotional state to your reader, you’re expecting way too much. It’s critically important to replace those ho-hum dialogue tags (he said/she said) with body language or action. Let your reader see the way the speaker’s fist is clenched when he talks or the way a character’s head tilts toward her lover. Those are the clues your reader needs to figure out what is really going on.

I strongly recommend picking up one of the many books on body language and keeping it with your other reference books. Body language can a great array of emotions, and we couldn’t possibly cover all of them in one blog article. Therefore, we’ll talk today about the body language of deception.

The Body Language of Liars

A liar will often cover his mouth, as though to keep the deceitful words inside. He may lick his lips or giggle, and, when he speaks, he may hesitate, stutter, or slur, or, he may have an overly controlled tone. Most liars will speak with less inflection, tending toward a monotone. When asked a direct question, he may repeat the question, or say, “Do you think that I would do this?” or state his opinion on the subject—which is likely to be violently opposed to any such activity that he’s being asked about—instead of directly answering the question. For example, if asked if he mowed over the daisies, he’d say, “There’s no excuse for sloppy mowing. Mowers should be aware of what they are doing at all times.” He’s also likely to hesitate before answering, especially if asked a question for which he’s unprepared.

Liars will normally avoid eye contact. Some liars are aware that this will give them away, so they will instead force eye contact, which feels unnatural. Pupils constrict when their owner lies, which may be why liars blink rapidly. They may glance away or glance sideways.

A liar wants to be invisible—or, at the least, take up as little space as possible and not draw attention to himself. Therefore, he may have an overly stiff posture with controlled movement, and his hands and leg movements are toward his body core, not outward.

In some people, the hands may be animated, as though the extra movement can help move the words through the air with added integrity. However, a liar will not cover his heart with his hand—that is, unless he’s aware this is a sign of being open and honest, and he does it to deceive. An honest person will often have a hand that is turned up, with the palm exposed, while a liar will keep his hand clenched or his palm down. A liar’s hands may touch his face, throat and mouth, or touch or scratch his nose, upper lip, or behind his ear.

Emotional Gestures and Contradictions of Liars

When someone tries to deceive, the timing may be off between the emotional gestures/expressions and spoken words. For example, a character may say, “I love it!” when receiving a gift, but then smiles after making that statement, rather than at the same time. The gestures/expressions may also fail to match the words spoken, such as smiling when saying “I didn’t mean to hurt you,” or shaking the head while saying, “Yes, I’ll take care of that for you.”

Expressions are limited to mouth movements instead of involving the entire face when faking emotions. For example, when someone smiles naturally, his whole face is involved. He has jaw/cheek movement, his eyes light up, and his skin  (check this company website for products) crinkles at the corners. A liar’s eyes remain expressionless when he smiles.

Interactions and Reactions

A liar is uncomfortable facing his questioner/accuser and may turn his head or body away. He may unconsciously place an object, such as a book or a newspaper, between himself and the other person, or he may move objects around, indicating discomfort.

If an accuser believes someone is lying, he should change the subject quickly. A liar follows along willingly and becomes more relaxed; the deceiver is relieved the subject changed. An innocent person may be confused by the sudden change in topic and try to return to the previous subject.

Final Notes on Lying

These are just a few of the body language clues that a deceiver may use. In fact, entire books have been written on just this one area—on the body language of a liar or how to identify a liar, so it’s a subject that can be studied in-depth.

It’s also important to note that when trying to clue your reader that a character is lying, the character should respond in a way that is not normal for him. And, of course, just because a character exhibits one or more of these signs does not make him a liar.

If a character is a psychopath, these indicators may possibly not apply—psychopaths have no real conscience, and therefore do not have the guilt that causes many of the reactions listed here. Some psychopaths may even be cunning enough to behave in an acceptable manner—and are good enough actors to get by with it. If people check Professional Acting Classes they can get the best acting classes.

Writing is a craft with much to learn. We encourage you to sign up for our newsletters, this blog, and glean our website for the many tips offered there. We’re also here to help you along the way. Just shoot us off an email at IFWeditors@gmail.com. We’re here.