Category Archives: nonfiction

Introducing Geoffrey Cameron Fuller

Geoffrey Cameron Fuller recently teamed with Daleen Berry (Sister of Silence) to write about the stabbing murder of high school honors student, Skylar Neese, by her two best friends. Their work resulted in two books, The Savage Murder of Skylar Neese (BenBella Books; February 2014) and Pretty Little Killers: The Truth Behind the Savage Murder of Skylar Neese (BenBella Books; July, 2014). The crime and the books were featured on Dateline (NBC), Dr. Phil (NBC), 20/20 (ABC), and I Killed My BFF (Lifetime). The Savage Murder of Skylar Neese peaked at #12 on the New York Times bestseller list, and the second book, released in July, 2014, is selling well.

(At a Pretty Little Killers book signing.
Geoff Fuller (left), IFW intern Jessica Nelson (middle), and co-author Daleen Berry (right))

Fuller has been writing and editing professionally for twenty-five years and has become familiar with just about every form of contemporary writing. In addition to feature journalism, he has written award-winning nonfiction, sudden fiction, short stories, and novels, as well as a range of business and technical writing: annual reports, white papers, vision and values statements, feasibility studies, market analyses, conference proceedings, advertising copy, political speeches, grant applications, and textbooks. He is the author or co-author of five books, and his writing is credited in another dozen books.

(Geoff Fuller at a signing for his book Full Bone Moon)

 In addition to publishing under his own name, Fuller has also been widely published as a ghostwriter, read aloud his fiction in a variety of settings and performed it on the radio, given dozens of workshops on business writing and the publishing industry, and taught classes on the novel, sudden fiction, and memoir since 1997. Fuller was a contributing editor for Writer’s Digest for several years, sat on the Board of West Virginia Writers, and is the only person to have won prestigious WV Arts and Humanities literary fellowships in all three prose categories: fiction, nonfiction, and memoir.

For six years, from 1998-2004, Fuller worked as a developmental editor for Fitness Information Technology, a sport psychology and sport management publisher based in Morgantown, West Virginia, since 1987. Before that, he worked for about ten years for the Center for Entrepreneurial Studies and Development, Inc., a nonprofit business resource firm and occasional publisher, also based in Morgantown.

Currently, Fuller works as a freelance writer-editor for a variety of private clients and occasionally hosts writing classes on the Web or in a variety of locations around the state. He lives in Morgantown, West Virginia, and is a member of International Thriller Writers.

Introducing Debora Holmes



We are thrilled to introduce one of our newer editors, Debora Holmes. Deb has joined us during the past year and works mainly with technical, educational, and Christian nonfiction.

Editor and writer Debora Holmes, Minneapolis, has been helping authors refine and publish their works for over a decade and a half. After graduating with English and music degrees from Gustavus Adolphus College in St. Peter, Minnesota, Debora also obtained a degree in pre-vet med (chemical, biological, and animal sciences) from the University of Minnesota before obtaining her Masters in Environmental Studies from The Evergreen State College, Olympia, Washington. Her many strengths include ongoing experience with a diverse set of authors and publications (from devotionals to technical government documents to all sorts of scientific papers), skill working with different levels of writing (including much experience with ESL authors), and the ability to switch effortlessly between topics and styles, including between American, British, and Canadian English; she is also a member of the Editors’ Association of Canada.

For close to a decade Debora was the full-time editor of Environmental Practice, the professional and ethics-centered journal of the National Association of Environmental Professionals (NAEP), for which she received the NAEP President’s Award among many other accolades. Besides the journal, she has ghostwritten, ghost-edited, copyedited, and proofread vast numbers of documents. Large projects before joining the IFW team have included, for example, listed editor (print and e-books) of The State of Sustainability Initiatives Review 2010 and 2014 (available HERE and HERE), books/reports for the Canadian Council of Academies, and hundreds of research articles; favorite projects include inspirational books for women and in the environmental sciences (a list of selected projects is available upon request). Debora comes from a line of Lutheran ministers (occasionally having the privilege to edit her father’s homilies) and is also employed as pianist/organist and vocalist at her church.

Deb is the mother of very different twin boys in the second grade, both of whom fascinate her and inspire a great deal of her writing, including writing on and for children with autism.

Her favorite thing to do when not penning and editing is to grab the family’s energetic Jack Russell mix and experience the love of God through nature with her children. 

Interview with Author Emma Broch Stuart

by
Wendy Chorot

New author Emma Broch Stuart (aka IFW Editor Wendy Chorot) shares her passion for seeing women and men released from bondage and healed from relational wounds. Her newly released book, Broken Umbrellas, takes the reader on her personal journey from the pit of despair and brokenness to the healing arms of Jesus. Along the way, she allows the reader an intimate look into the relationship baggage she hauled around most of her life—even crossing the Atlantic with it—before surrendering to God’s radical healing.

1. Tell us a little more about your nonfiction.

Once upon a time, brokenness claimed so many areas of my life, and every one of those areas were relational in nature: bitterness and shame from past intimate relationships; wounds and scars from abuse; insecurities from relating with women I felt had it together when I did not; feelings of failure as a mother. It was all relationship stuff. When I realized that humanity tries to relate with one another in spite of their brokenness, God asked me to write about my own personal struggle with broken areas of my life. And voilà! Broken Umbrellas was born.

2. What was the driving force behind writing Broken Umbrellas?

This is a good question. I feel most people are really bad at one thing in life like sports, or math, or sewing. For me it was relationships. Even becoming a Christian didn’t save me from a broken marriage. And I kept asking myself, “Why can’t I get this right?” And God showed me that when we have unhealthy hearts, we have unhealthy relationships. (That goes for friendship relationships, too.) Then he took me on an incredible 13-month journey that healed me in the most radical way. I wrote Broken Umbrellas because I don’t believe I’m the only one who has struggled with relationships.

3. What do you want your readers to take away from reading your book?

Hope. Pure and simple, yet profound hope. Hope for all their hurting relationships and a desire to be healed, healthy individuals. I want my readers to see—and believe—that God is bigger than any brokenness they have suffered or caused. And I pray Broken Umbrellas is a tool to bring my readers into a deeper knowing of God, the only one who can heal them.

4. What writing projects are you working on now?

I’m working with WhiteFire Publishing on a fun and inspiring piece called Barn Doors. Barn Doors is a collection of short stories about everyday life and how God speaks to me . . . and how I hear him. It releases next spring.

I also have a children’s series with DeWard Publishing called The Keeper Series. “The Windkeeper” is the first in the series and looks to be ready for this fall. An illustrator has it as we speak, bringing my words to colorful life. “The Starkeeper” will follow, and “The Rainkeeper” will complete the series. One way God speaks to me is through the pages of his Word, and I incorporate that into these stories.

5. Where can readers learn more about your book?

Broken Umbrellas is for sale on Amazon in paperback and Kindle version, which you can find HERE.

6. How can readers connect with you?

I LOVE connecting with people! Readers can find my blog on my website: http://emmabrochstuart.com/

They can also find updates on my Facebook author page:
https://www.facebook.com/emmabrochstuart

Twitter:
https://twitter.com/EmmaBrochStuart

Or by emailing me:
emmabrochstuart@gmail.com

7. Where did you get the name Broken Umbrellas?

At my precious grandson’s funeral, I spotted a broken blue umbrella flapping in the winter wind. The woman holding it was oblivious to the fact that snow was falling on her. When she moved her broken umbrella to offer protection to the man beside her, my heart was overwhelmed with the symbolism of humanity doing the same thing—“protecting” (or loving, serving, relating) in spite of our brokenness.

8. Tell us about living overseas.

I credit a lot of who I am today on my experiences in Europe. There’s something about getting out of your comfort zone that forces you to relate differently, engage in the world around you at a different level. And most importantly, see beyond yourself. I have dipped my toes in the Mediterranean, hiked mountains in the French Alps, drank wine with my baguette and cheese, breastfed under the Eiffel Tower, and made a complete fool of myself many times as I butchered the language. I have been misunderstood, ignored, lost in a big city, and served fish with the head still attached. But I have also been kissed by complete strangers, given free bus rides when I didn’t have exact change, served delicious cuisine, and most importantly, blessed with knowing Christ at a deeper level. My daughter was born there, my first grandchild buried there, and, while there, I collected more than a decade of memories—both good and bad. 

Living in a foreign country shows you just how strong you really are.

9. Why did you choose to write under a penname?

Because Broken Umbrellas gives the reader a very intimate and vulnerable look at my past, I chose to write under a penname out of respect for the people I speak about. Of course, I did not have to, and if any of them were to read my book, I have written it in a respectful way that they should not take offense. And I have decided to keep my penname for all of my writing projects. The name Emma Broch Stuart is very special to me; it is the middle name of each of my three children.

As a bonus to this beautiful interview, Emma Broch Stuart is giving away a free copy of Broken Umbrellas to one of you! All you have to do to qualify is leave a comment on this blog. Next Monday, a winner will be randomly selected and contacted by Jessica Nelson (in the form of a reply to his/her comment in this blog) with further information about how to collect his/her prize.

Thank you again to Emma Broch Stuart (and Wendy Chorot) for granting this beautifully poignant interview!

 

Journaling to Promote Healing (Part 1)

by Jessica Murphy
“An untold story is an unexamined experience;
without the telling, its significance is diminished or lost” (Downs 303)
          It sounds contradictory, but it’s true: Writing about disturbing experiences can promote well-being by helping us do the following:
  • develop the ability to identify, understand, and express our emotions and those of others
  • strengthen our critical thinking, self-assessment, and writing skills
  • cultivate a sense of control over and find meaning in our lives
  • reduce stress, negative emotions, and illness.Beverly Hills rehab center can also help you out to get rid off anxiety, depression and  to maintain mental health.
  • boost confidence and encourage empathy in other
          Guy Allen calls this “the healing power of writing,” the way it allows writers to confront, understand, and overcome unresolved psychological and emotional damage (84). Not everyone agrees; Andrew Holleran criticizes the practice as only forcing writers “to relive [their] anxiety and depression” (qtd. in Nye 387). Some research does suggest that writing about emotional experiences may not benefit some individuals; one study conducted in Israel among PTSD patients found that participants who wrote about their experiences worsened compared to the control participants, an effect attributed to the “absence of cognitive and/or coping skills training” (Pennebaker 16).
          But the benefits seem to far outweigh the risks. This practice helps us develop “emotional intelligence,” the ability to identify, understand, and express emotions in ourselves and others. We become more capable of overcoming emotional inhibition, the inability or unwillingness to acknowledge our emotions. Not only does emotional inhibition cause stress and increase the probability of illness (Nye 395), but it also isolates us by creating a disconnect in communication and understanding (Pennebaker 14-5). But by writing about these experiences, we can process them, freeing up our attention to focus on more important aspects of our lives.
          Addressing these disturbing experiences is important because they affect not only our emotional health but our mental and physical health as well. A study published in the journal Nature shows that when we undergo intense emotional experiences, we release stress hormones that enhance our memory of the experience for “survival value” in case the same experience reoccurs (qtd. in MacCurdy 164). This explains why emotional events can haunt us for years. Grief, for example, can cause guilt, anger, loneliness, feelings of abandonment, and vulnerability, all of which can disrupt the stability of our daily life, including our sleeping and eating patterns. As a result, we invest energy into maintaining a sense of control, which causes fatigue when combined with disrupted sleep patterns (Bosticco and Thompson 256).
          If unresolved, negative emotions can damage our long-term health; individuals who do not resolve feelings of helplessness can develop “learned helplessness” in which they assume they cannot change situations. In these cases, unresolved trauma can lead to anxiety and depression (Bosticco and Thompson 268).You can also try out 30 day rehab to get rid off anxiety and depression.
          Writing about an unresolved emotional experience serves two purposes:
  1.  It encourages us to analyze our experiences and choose how we react to them.
  2. It improves both our writing and critical thinking skills by requiring us to remember, analyze, and synthesize information into a clear, coherent narrative.
           Organizing an experience into a simplified narrative allows us to recognize patterns in our thought processes, behaviors, and overall identity. In his essay “Writing about Suicide,” Jeffrey Berman describes a course in which he asked students to write anonymous diary entries so the students could express themselves in a safe environment. One student found that his entries gave him “a basic awareness of how [his] mind operates” (qtd. in Berman 302). Complex events require more effort to examine and organize because they affect multiple aspects of our life; being left by a lover can affect our relationships, finances, self-perceived identity, and daily routines (Pennebaker 11).
          The writing process can also help us recover or strengthen our sense of identity. In her essay “‘The More I Tell My Story’: Writing as Healing in an HIV/AIDS Community,” Emily Nye describes working with members of a writing group at an AIDS center to analyze how writing about their disease affected them (386). Most stories included a “turning point” in which writers identified or created meanings in their lives. One member found that fulfilling his lifelong wish to become a DJ made him realize he still had the opportunity to achieve long-term goals, which boosted his self-esteem. Another member met a woman who stayed with him despite his diagnosis, which showed him that society still valued and supported him (Nye 403). By describing and analyzing their experiences with AIDS, the group members identified new meanings that gave their lives a sense of purpose.
          Once we examine an experience’s effects on us, we can gain control over our thoughts and behavior by choosing how to react to the experience. Part of the distress caused by unresolved emotional experiences comes not only from the events themselves but also from the individual’s emotional reactions to them (Pennebaker 8). In the previous example, writing about their disease gave the patients a sense of control over “the drastic interruption of a life of meaning and purpose by an illness that often seems arbitrary, cruel, and senseless” (Hawkins 224).
           In another experiment, participants were randomly assigned to either an experimental group or a control group and told to write for fifteen minutes a day for four days. Members of the experimental group were told to write their “deepest thoughts and feelings” about the most traumatic experience of their lives and encouraged to connect their topics to their relationships with family members, lovers, and friends; to their past, present, or future; or to who they were, who they wanted to be, or who they were at the time (qtd. in Pennebaker 4). This encouraged the participants to reflect upon how those experiences influenced their thoughts and behavior.
         Most participants considered the experience “extremely valuable and meaningful,” and 98 percent of the experimental participants said that “if given the choice, they would participate in the study again” (Pennebaker 4). In addition, students who often submitted weak academic essays wrote coherent, grammatically correct essays about their personal experiences, which may suggest that writing about personal topics provides an additional incentive to engage ourselves in our writing and improve our skills. Further, the experimental group’s participants’ visits to the university health center fell “drastically” compared to the control participants (Pennebaker 5).
           Other studies from around the world link this writing practice to improved overall health, including improved immune function, reduced pain and medication use among arthritis sufferers, improvements in asthmatics’ lung function, and lower levels of depression in students taking exams. These benefits span across a variety of professions, classes, and racial/ethnic groups (Pennebaker 5, 16). Writing about disturbing experiences did upset participants for several hours after writing, but they reported feeling “as happy as or happier than” control participants two weeks after the study (Pennebaker 6). In another study, hostile and suspicious individuals benefited more than individuals who lacked these traits (Pennebaker 6).
          Writing benefits us specifically because it requires cognitive processing. If the benefit stemmed from self-expression, then other forms of self-expression should produce the same benefits. Yet research suggests that only forms of self-expression that require cognitive processing produce benefits; neither using expressive movement nor exercising showed the “significant improvements in physical health and grade point average” as did the same activity combined with writing (Pennebaker 8).
          The cognitive processing that writing requires also produces literary benefits, such as strengthening our creative and reflective writing skills. Descriptive language, for example, overlaps with therapy: using specific sensory images requires the writer to remember details from their experience and thus bring the experience more fully into their consciousness (MacCurdy 167). The students who wrote diary entries wrote more than they expected, and their writing tended to be “insightful and eloquent” (Berman 310).
          Writing also enhances our ability to connect to literature and real-life contexts. Analyzing and discussing their experiences with suicide made Berman’s students less likely to romanticize suicide in literature than students in other classes, and one student wrote that the context of the diary entries and class discussions made his reading assignments seem “so much more real” and that he felt closer to Virginia Woolf than he had felt before taking the course ((Berman 300, 309).
          Writing about emotional experiences helps us understand and resolve disturbing experiences, but sharing our work with others benefits us, too, by boosting confidence and encouraging empathy in both ourselves and our audience. Hearing how other people react to emotional experiences gives the audience the confidence to risk writing about more personal experiences. For instance, when Berman read the anonymous diary entries aloud, the students showed an interest in and identified with the entries, developing collaborative trust or “distanced intimacy” (Berman 294). One student wrote that hearing his classmates’ stories makes him feel as though he were vicariously experiencing the events. As a result, whenever he sees his classmates, he feels concern for them even though he does not know which entry was theirs (Berman 303). Also, seeing his classmates’ interest in his entry made him feel much less ambivalent about attending class; the same connection might be said about the connection between depression, isolation, and suicide (Berman 302).
Writing about disturbing experiences can give us a greater sense of control and help us move from passive suffering to active healing (qtd. in Nye 411). By reflecting upon our thoughts, emotions, and behavior, we can change how we react to events and gain a better sense of control over our lives. As D.H. Lawrence said, “one sheds one[’s] sicknesses in books—repeats and presents again one[’s] emotions to be master of them” (qtd. in Berman 291).
For the Works Cited information, please refer to the comments.