Category Archives: ellipsis

Grammar 101: Grammar Jargon

by
Jessica Nelson




The world of editing and writing is fraught with fancy-schmancy jargon and technical terms. We learned many of these years ago in our English classes. We know what they are and how they are used—we just forget what they are called. So, today I am giving you a crash course in grammar jargon with help from the IFW editors and The Little, Brown Essential Handbook by Jane E. Aaron.

First, we will start with classic grammar terms no one actually remembers despite using them almost every day.

 

Gerunds: the –ingform of a verb used as a noun; usually proceeded by a possessive noun/pronoun. Ex. My husband is annoyed by my nightly snoring.

Present participle: the –ing form of a verb (and used as a verb). Ex. Since the weather is nice, Susie is working in the garden today.

Past participle: the –edform of a verb. Ex. Rhonda graded so many undergraduate composition papers that she lost her faith in humanity’s ability to write correctly.

Ellipsis: a series of three periods, each separated by a space; looks like “. . .”; used to denote an omission of words, phrases, or entire sentences in nonfiction, and, in fiction, denotes the trailing off of a thought or a long pause. If the ellipsis occurs at the end of a sentence, the sentence-ending period is also included, creating a series of four periods separated by spaces (“. . . .”). Ex. Leila looked at the giant red F on the top of her paper. “But . . . I thought I did well . . .

Comma splice: when two main clauses are joined (or spliced) only by a comma, rather than a comma and conjunction. Ex. We loved the movie, the actors were okay. Should be: We loved the movie, but the actors were okay.

Homophone: words that sound exactly alike but have different meanings. Ex. principal/principle. The former is the head of administration at a school. The latter is “a comprehensive and fundamental law, doctrine, or assumption” (Definitions curtesy of Merriam-Webster online).

Homonym: a word that has multiple, different meanings. Ex. “fair.” We had an excellent time at the fair. vs. It’s not fair that my brother always gets what he wants.

Indefinite pronoun: a word that replaces a noun but does not refer to a specific person or thing; may be plural (e.g. both, few, many), plural or singular (e.g. all, any, none, some), or only singular (e.g. anyone, everyone, someone).

Misplaced modifier: A modifier modifies the noun closest to it. A modifier is considered misplaced if it modifies a different noun in a sentence. Ex. Ginger ate potatoes, mushrooms, and rice for dinner, lying on the sofa. “Lying on the sofa” is misplaced. As written, it modifies “dinner,” but it should modify Ginger. To correct, we’d write: Lying on the sofa, Ginger ate potatoes, mushrooms, and rice for dinner.

Dangling modifier: doesn’t sensibly modify anything in its sentence; may imply a subject, but does not explicitly name one, making the actual subject unclear. Ex. Walking down the street, the renovations to the neighborhood became apparent. This should say: As we walked down the street, the renovations to the neighborhood became apparent.

Synecdoche: figurative language that uses a part to represent the whole. Ex. using “the crown” to represent the monarchy or “a dollar” to represent money.

 

Now, we’re going to explain some terms you may have never heard before. That said, I’m sure you’ll be surprised to find you know what they are.

 
Bildungsroman: a coming-of-age story. Ex. pretty much any YA or teen novel.

Pastiche: a patchwork story; pieces taken from other authors’ works; generally refers to a paper with plagiarized parts. Ex. This blog (sort of), which uses term definitions from The Little, Brown Handbook, Merriam-Webster, and the lovely ladies at Inspiration for Writers, Inc., is a pastiche.

Head-hopping: a type of point of view breach; when the viewpoint character changes within a scene without first having a transition and invitation to foster that change; in the words of Sandy Tritt, “All head-hops are point-of-view breaches, but not all point-of-view breaches are head-hops. (If you would like more information about this, we are happy to send our tip sheet on “Point of View,” which also includes ways to avoid head-hopping.) Ex. Mike sat on the bench and wondered where his future would lead. To the army? To college? To that hot barista’s apartment? Jack stared at Mike’s melting ice cream cone, and wondered how hard Mike would punch him for stealing it.

 

Any of this ringing a bell? I hope so! Hopefully, next time you sit down with a writing buddy or one of our editors, and he/she starts jargon dropping, you’ll be able to keep up.

Was this helpful? Are there other grammar/literature/writing terms you know you know but don’t know what they’re called? Or any you want us to explain?  Let us know in the comments, and maybe we’ll do another blog like this one.

Ellipsis vs. Dash Usage in Fiction

by Sherry Wilson

The question I get asked most often by writers is whether they should use a dash or an ellipsis. This is also something that I often see misused in fiction—sometimes even in published fiction. Once it is explained, you’ll find it a relatively simple concept.


The Dash

The dash is a very useful tool when writing fiction. It can replace commas, parentheses or colon and is more informal in its usage. The dash can be written as two hyphens in a row–like this or as an em dash—like this. Your word processor might convert the two hyphens to the em dash automatically as you type. There are no spaces before or after the dash.

A dash can show a shift in thought or to set off an important element in a sentence.

Examples:
She laughed—a knowing sound—and leaned back in her chair.
For the most part I’m happy with it—or at least I was.

You can also use a dash in place of a colon to make the text less formal.

Example: He liked to play instruments—guitar, violin, piano, and trumpet.

A dash can be used in place of parentheses.

Example: The whole class—about thirty students—received brand new instruments.

The dash is a very useful tool in your writing, but should be used sparingly. It draws the eye and thus emphasizes a phrase in a statement. But if there’s a dash in every sentence, then it loses its effect.

Ellipses

I often see ellipses misused in fiction—sometimes even in published fiction. The ellipsis does not show a break in thought. It is used to show a thought that trails off and is left unfinished.

Example: I remember that day back in May… Well, it isn’t really important.

There are no spaces before the ellipsis. You leave a space after the ellipsis when it begins a new sentence.

The other use for the ellipsis is in quoting from something and you only want to use part of the source. If you leave out something in the middle, you use the ellipsis to show that something has been left out.

Example: “To be, or not to be: that is the question … Be all my sins remember’d.”

Ellipses are rarely used in fiction. If your character’s words trail off as he notices the tornado heading straight for him, then you’ll need to use an ellipsis. It is a useful tool when used sparingly.

Okay, grammar lesson is over. Back to work . . .