Category Archives: WV Writers Annual Conference

5 Reasons to Go to a Writers Conference

by
Jessica Nelson

I just got back from the three-day West Virginia Writers Conference in Ripley, WV. It’s one of the best gatherings of writers in the tri-state area. For the past five years, I’ve attended the weekend conference. I always have fun, and I always learn more about writing. And I always come back inspired to dive back into my various projects. So in honor of conference season, I’m giving you five great reasons to go to a conference.

1. You’ll learn something new. Writers conferences are a great place to learn new tips, techniques, shortcuts, and methods to improve your writing. Most conferences offer a variety of workshops in a variety of genres; you can learn more about your chosen genre, or you can branch out and try something you haven’t written before. If you go to a workshop on a genre you don’t usually write, you can learn something new that will help you with your current projects. A poetry workshop will teach you the importance of the perfect word and how to hear the musicality of your lines. A workshop on fantasy or sci-fi will teach you world-building, while a workshop on thrillers will teach you how to build suspense.

2. You’ll have fun. Writers conferences can be a blast! Workshops are filled with laughter as you learn and share stories. Meals are spent swapping stories with new friends and old. Free time is spent chatting with strangers or browsing books. And at the West Virginia Writers conference, nights are spent either around the bonfire with s’mores or hanging out on the back porch with music and adult beverages. Or, if you’re me, nights are spent in the room with your roommates, alternately kicking butt and getting your butt kicked at cards and listening to the Hamilton soundtrack.

3. You can build a network. Having a network of authors, agents, editors, and publishers can be super helpful later down the road. And conferences are a great place to build that network! Many writers conferences will bring in a publisher or an agent or some other kind of book-industry representative. Go talk to them. Say hi. Get their business card. Pitch your novel. Make a friend. These are the kinds of people you will want to help you when it’s time for you to get your novel out into the world.

4. You might be able to go for free or at a reduced cost. I’m not sure about all conferences, but West Virginia Writers allows high school and college students to attend the conference for free in exchange for working as interns. Which is fine by this college student, because it means I do everything I normally would anyway, plus I get to help in workshops and get close to the presenters. This year, WV Writers offered conference scholarships in the name of Terry W. McNemar, a former WV Writers president who recently passed away. Do some research on your local conferences. They might offer scholarship or reduced rates. But you’ll never know if you don’t look.

5. You’ll make new friends. One of my favorite parts of conference is seeing the two dozen or so friends that I only get to see once a year. Sure, I keep up with them on social media, but it’s nice to catch up in person. And every year I make new friends. All I have to do is sit down next to someone and ask an opening question: Where are you from? or What do you write? Then I let the conversation flow. It’s great to listen to fellow writers animatedly talk about their current projects or favorite books. Let’s be frank: it’s just awesome to be surrounded by people whose weird matches your weird. Because those people, my friends, become your tribe.

10 Things I Learned at the WV Writers Conference

by
Jessica Nelson

I wanted to title this blog “10 Super-Cool-Awesome-Amazing Things I Learned at the WV Writers Conference,” but, alas, all that would not fit into the title bar on Blogger. But I digress.

So this past weekend was the annual West Virginia Writers Conference in Ripley, WV. This was my fifth year in attendance and my second year working it as an intern. As always it was a great time, but the thing I love most about it is that every year I learn something new. There is always an abundance of knowledgeable presenters to lead workshops and panels. Since many of you are non-West Virginia natives and may not ever make it to a WV Writers Conference, I’ve decided to share the top ten things I learned this year.

10. You have to be brutally honest with yourself. In particular, you need to be honest about your style and your work ethic. This came from Sheila Redling’s workshop. One example she gave was if you are the type of writer who only writes five words a day, you will not feasibly be able to put out two books a year. If you know you are easily distracted, take care of anything you know will be a distraction before you sit down to work. Hold yourself accountable for your work.

9. Sometimes when you’re stuck, it’s because you’re out of sync with your characters. Also from Sheila Redling, this advice resonated with me. On a fundamental level, it makes sense. How can you tell your character’s story when you and your character are not on the same page? So sometimes you need to take a step back from the story and focus on the character. When you and your character have reached a new understanding, go back to the story and try again.

8. Monsters are metaphors. Now, I know that not everyone writes fantasy, sci-fi, or horror, but this advice applies to almost any antagonist. Monsters in particular are metaphors, or embodiments, of our worst fears. A couple of classic examples instructor Frank Larnerd gave were Frankenstein’s Monster (fear of science) and Freddie Kruger (fear of being punished for our sins). And your monster metaphor should match your hero’s fear/weakness/past. That is how you “build a better monster.”

7. When making a “monster” (or villain, or antagonist), do a “monster sketch” that addresses the following: what makes him/her/it a monster? Why is he/she/it like this? What is one noble/good thing this monster does? This came from Marie Manilla’s workshop “Monster Theory…” and forces us as authors to create a fully formed, three dimensional, realistic antagonist. Seriously, try to answer these questions with your antagonist in mind. You will have no choice but to explore all the facets of your character.

6. For anyone writing in verse: the first word and last word of a line hold the most power, so choose your line breaks carefully. This can also apply to prose. The first and last phrases are the “power words” in a paragraph. I participated in a workshop by Kate Fox where we took a handful of lines, written out like prose, from famous poems and each re-wrote them into verse the way we thought they should go. Even though we were all using the same words, our choices in line breaks gave each version a different meaning and different effect on the reader. Even the length of the lines impacted the tone and message of the poem. So make sure your line breaks contribute to the intended effect of your verse. 

5. Start with a believable context. This applies mostly to fiction writers, especially those writing fiction with outrageous or paranormal or fantastical elements. This advice came from storyteller and champion liar Bil Lepp, who made us all believe he’d been smashed into the ceiling by a dentist’s chair. You want to know how he did it? He eased us into it. He started out telling us about a toothache he got, the subsequent trip to the dentist’s office, and getting bored sitting in the dentist’s chair while waiting for the dentist himself to come into the room. So he started playing with the pedals that made the chair change position. The story started so normal and familiar that when odd things started happening, we all subconsciously suspended our disbelief. We trusted what was happening in the story, because he made it fit and work within the context. This is great advice to fiction writers, because if you get too crazy, too quick, you lose your reader’s trust. And even if the point is to be fantastical and out-there, the use of real, normal, and familiar details helps to ground the reader and allow them to connect the story to their own lives.

4. Writing without “emotional language” (“I love this” or “she hates that”) allows the details to “show” your feelings without being sappy or overly sentimental. This nugget of wisdom comes from Jon Van Kirk. He discovered the truth of this statement when he did an assignment with his students at a university. He told his classes to describe a lost-to-them but still familiar location. In the first class, he told them not to use “emotional language” and the students produced vivid descriptions that evoked a range a heartfelt emotions—without ever once naming those emotions. The second class did not produce the same results. Because he forgot to tell them not to use emotional language.

3. In the first few pages of a novel, set up the character, conflict, setting, and voice. This advice came from Edie Hemingway’s “Strong Beginnings” workshop. It applies to any genre of writing and can even be adapted for short stories and other styles of writing. Basically, you want to set up everything the reader needs to know in the first couple of pages. Who is the story about? What are his/her age, race, education, and (to a lesser extent) appearance? What is the conflict of the story? You don’t have to spell it out, but you can start to hint at it or get the ball rolling. Where is the story taking place? And—this is very important—you need to establish the voice, which, ideally, is a combination of your voice as a writer and your character’s voice. Most importantly, establishing all that in the first couple of pages not only grabs the reader’s attention, but it will also hopefully grab a publisher’s attention and keep your manuscript off the slush pile.

2. Don’t get stuck on the first page. Chances are your original first page will change or the story will ultimately start somewhere else. This also came from Jon Van Kirk and his workshop “The First Fifty Pages.” Basically, you don’t have to write your draft in chronological order. You can write any scene from any point in the novel at any time you want. Then, when everything is written, you can figure out the order. For someone like me who gets stuck on the first few pages (every single time), this came as quite a relief. It was like I had been granted a stay of execution. Now if only I can get myself to walk away from the chopping block.

1. Writers are amazing people. Technically, I am re-learning this, as I do every year at the conference. And it’s something you learn from the conference as a whole. Writers are big-hearted, friendly, encouraging, and just all-around-awesome people. Not to mention talented. I’m always thankful that there are writers willing to share their talent and knowledge—not just in the form of presenters, but the attendees as well. And writers are just nice. I had nearly half a dozen people or more come up to me at some point over the weekend to tell me I was doing a good job, or thank me for my hard work, or tell me that they liked my writing. I’m not sure there is anything that makes a writer glow more than another writer complimenting her work. I also had one woman call me over in the parking lot on the very last day. She handed me a copy of her poetry book with the handwritten inscription “Thanks for all you do,” which left me a sentimental puddle all over the asphalt. And, of course, every year I make new friends and reacquaint myself with old friends. Let’s be honest, a conference is only as good as the people who are there. And if you are at a conference that’s filled to bursting with writers, it’s guaranteed to be amazing.

Writing Conferences

by
Sandy Tritt

The first time I attended a writers conference, I was scared to death. No, that doesn’t accurately describe the way I felt. Let’s say that if my knees were made of china, they would’ve shattered. I’m not usually shy, but here I was, Nobody from Small Town, Nowhere, going to a real, live WRITERS CONFERENCE. The people there would all know so much more. They would all be published. And, of course, they would all be snobs, putting me in my place in short order. 

Except it didn’t happen quite that way. Instead, I was welcomed and embraced. Yes, there were a lot of published writers there. And an agent. And a couple of publishers. But everyone was kind and friendly and willing to share of their knowledge. They treated me like I was important, too. I attended several workshops where I learned how to be a better writer. I listened to authors talk about how they found an agent and a publisher. I chatted with people who were a lot like me until late into the night, talking about writing and challenges we were facing.

That was 22 years ago. I have not missed the West Virginia Writers Annual Conference since. There were times I commuted back and forth because one of my kids was graduating, in a ballet recital, or in a body cast, but I always got there. In fact, I went from “the stranger” to giving workshops to being conference director to stepping back and just enjoying the process. It’s the place I find my closest friends and my annual inspiration.

So, if you don’t have anything to do next weekend, June 12 – 14, come and see me at the WV Writers Annual Conference. Voted “best conference for the money” by The Writer Magazine, it’s a fabulous weekend of relaxation, workshops, panels, and entertainment. Read more at http://wvwriters.org/home/annual-writing-conference/ or email me at SandyTritt@gmail.com and I’ll be happy to answer your questions. And I’ll greet you when you arrive so you’ll start your weekend with at least one friend.

If the beautiful hills of West Virginia are too far for you to visit, be sure to research writer conferences near you. Just go to your favorite search engine and key in “Writer Conference” followed by the state or country you live in. You’ll be glad you did. 

See you next week.